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Balls
UK
(1999)
DESIGN PRODUCTION PROGRAMMING Digit MUSIC DiY SOUND Owen Lloyd INTERNET
www.digit1.com WORLD SALES Digit, 6 Flitcroft Street, Soho, London WC2H 8DJ, UK
TECHNICAL DATA Interactive CD-ROM Mac/PC
With repetition, the musical theme gains a hypnotic power. This DiY beat
accompanies fleets of balls as they circulate within the screen. It takes a
little while to learn how to use the mouse with them. The mouse leads rather
than drags. A baroque mechanical device introduces an occasional cameo. Then it’s
back to the balls… Balls is a medium rather than a message. We are left
to imagine what other kinds of information might inhabit this dynamic space
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Borg
USA
(1996)
DIRECTOR James L. Conway PRODUCER Dan Dugan WRITER Hilary Bader MUSIC Dennis
McCarthy TRUE MOTION The Duck Corporation DESIGN Touchscreen Media Group CAST
John de Lancie, Terri Potts WORLD SALES Simon & Schuster TECHNICAL DATA
Interactive CD-ROM Mac/PC
This underrated classic of the interactive movie genre plays an intriguing
game with the viewer. Borg is based on the Star Trek Next Generation
series, as part of its questioning of the human-machine divide. The player is
asked to identity with a young cadet, who is granted the power to act as his
father during a mortal conflict. The agent of this time reversal is Q, who acts
like an impatient director at the player's incompetent actions. The enemy is the
Borg, an insect-like humanoid species that represents the ultimate paranoia of
technological dominance.
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Five Bells
Australia
(1998)
DIRECTOR Steve Thomas PRODUCER Kathy Symmons, Steve Thomas MUSIC Thomas and
Dan Warner GRAPHIC/INTERFACE DESIGN Neal Haslem DISTRIBUTION Dataworks 81 Eildon
Parade, Rowville VIC 3178 TECHNICAL DATA Interactive CD-ROM Mac/PC
CD-ROM can be a powerful medium for poetry. Layers of image and sound provide
a way of plumbing the depths of a good poem. Kenneth Slessor’s Five Bells
is a meditation on time and friendship. It takes its cue from the Arabian tale
where a man immerses his head in a bowl of magic water, and envisions a grand
epic tale. Similarly, immersing yourself in this CD-ROM helps re-invoke the life
and times of this great Australian poem. The opening screen shows a writers
desk, from which readers can gather together the threads underlying Slessor’s
work. A mini-film and soundtrack gives the 1939 poem a fresh contemporary
expression.
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Frozen Palaces
UK
(1999)
DIRECTORS Tim Etchells, Hugo Glendinning PRODUCTION Forced Entertainment
INTERNET www.forced.co.uk WORLD SALES ZKM Institut für Bildmedien,
Lorenzstrasse 19, 76135 Karlsruhe, Germany TECHNICAL DATA Interactive CD-ROM
Mac/PC
Time has stopped still. Using QuickTime VR, you pan around a room. Bodies are
frozen in time. An occasional hot spot appears that enables you to move into
another panorama. In each of the rooms a series of events—from love affairs
through murders, ghostly levitations, parties and even drunken hallucinations—are
halted at some banal or significant moment. Gradually, the plot thickens. Like a
fly on the wall, the viewer is free to move, explore and investigate. How are
the scenes linked—as a causal chain or free association? Whatever story a
viewer constructs from these scenes may not be the one envisaged by the makers
of Frozen Palaces.
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Intruder
USA
(1999)
PRODUCTION Natalie Bookchin AUTHOR Jorge Luis Borges INTERNET www.calarts.edu/~bookchin
TECHNICAL DATA Web site
A short story by Jorge Luis Borges promises a curious tale. But to read it
involves more than turning pages. Instead, viewers have to play the ancient
computer game Pong in order for the story to proceed. How can something so
profound be determined by the ultimate in trivia? Intruder marries to two
opposing trends in multimedia—the ‘high end’ promise a new ‘fine art’
and the ‘bread and butter’ use of digital art to fiddle away time. Rather
than protect fine art from the coarse world of Timezone, Intruder
combines the two directly.
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PAL
Australia
(1999)
DIRECTORS Cass Wigley & Luke Wigley MODELLING Grant Adam PROGRAMMING Luke
Wigley GRAPHICS Mandy Morgan Natalie Wright SOUND Cass Wigley INTERNET www.medialight.com.au
WORLD SALES Medialight Productions, 111 Moor Street,
Fitzroy 3056 TECHNICAL DATA Interactive CD-ROM Mac/PC
PAL is a wily desktop character that pretends to have a personality, though
both he and you know he is a mere computer program. Nonetheless, PAL is a
companionable bit of software, even if a little temperamental at times. Some
clever programming enables him to respond to your comments with an ounce of
spontaneity. He also has some seriously interesting comments to make about
recursion, of which he is a prime example. PAL helps us question the extent to
which it is possible for human and machines to be friends.
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Robert Hooke's Micrographia
USA
(1653)
AUTHOR Robert Hooke PRODUCTION Octavo INTERNET www.octavo.com WORLD SALES
Octavo, 580 Second Street, Oakland, CA 94607 TECHNICAL DATA Interactive CD-ROM
Mac/PC
The 17th century English physicist Robert Hooke pioneered many notions of
modern science, such as elasticity of matter, evolution and diffraction. His
artistic legacy is a book of illustrations that depict the wonders of 'inner
space', reflected in our own time with films such as Microcosmos. The
pre-modern veneration of insects as ‘god’s jewels’ is a curious parallel
to our modern technological wonder of microprocessors. This high resolution
Adobe Acrobat version brings this classic manuscript to the small screen.
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Son Of Bitch
Finland
(1998)
DIRECTOR Marita Liulia ASSISTANT DIRECTOR Ari Hirvonen PROGRAMMING Jacke
Kastalli QTVR PHOTOGRAPHY Autti Hvuttinei INTERNET www.medeia.com WORLD SALES
Medeia, Uudenmaankatu 2 K, 00120 Helsinki Finland TECHNICAL DATA Interactive
CD-ROM Mac/PC
From the apartment of psychoanalyst Jack L. Froid, the player explores ideas
about masculinity in a QuickTime VR environment. Esco, a hybrid of mobile phone
and multimedia, guides the user through different works of fragile masculinity.
Panoramic landscapes reveal the sumptuous accommodation of a fictional
psychoanalyst. Jack L. Froid is famous for his discovery of the ‘navel complex’,
concerning our deep anxiety towards first cut that severed our uterine bliss.
Froid’s presents his theory of men’s ‘womb envy’ as an attack of Freud’s
obsession with women’s ‘penis envy’.
Panning around his rooms, we have the opportunity to become acquainted with
not only with Froid’s ideas about male sexuality, but also his clients. An
audio-editing suite provides us with startling real-life confessions of paternal
conflicts. The rich Persian rugs on Froid’s couches harbour personal secrets.
As well as pricking our stereotypes of male sexuality, Son of a Bitch
offers a rich array of interactive devices. The multimedia catalogue of male
clothing is a visual treat. The extended Finish take on Death in Venice
is strangely moving, despite its comic intent. And you need to look around
carefully to find the password that will unlock the secrets of Jack L. Froid’s
IMac.
While it is easy to be carried away by the technical virtuosity of Son of
a Bitch, there is still a feast for thought in this CD-ROM¾
topped with a rich sauce of Finnish humour.
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The Internal Organs Of A Cyborg
UK
(1999)
DIRECTOR Jane Prophet WORLD SALES www.ellipsis.com/catalogue/electric/
TECHNICAL DATA Interactive CD-ROM Mac
You start in a comic strip that can be navigated around the screen only
slowly. Moving the mouse over different frames evokes atmospheric sounds.
Curious animations pop up suddenly. You find yourself crawling around a story
that is much bigger than the small screen can handle.
Travel through the frames gradually reveals the story of a mysterious heart
transplant. The recipient P Donald Nym finds himself with more than a new organ.
He seems also to have acquired a new self, the beleaguered Chrissy Hasting.
A stray mouse stroke plunges the viewer into the internal world of this
couple. Navigating through various body parts reveals traces of strange
communication between donor and recipient, from within the same body. Internal
Organs of a Cyborg is an uncanny exploration of a divided self.
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Waxweb
France
(1999)
DIRECTOR David Blair EDITING/GRAPHICS ASSISTANT Florence Ormezzano CAMERA
Mark Kaplan MUSIC Beo Morales & Brooks Williams INTERNET www.waxweb.org
SALES www.iath.virginia.edu/wax TECHNICAL DATA Interactive
CD-ROM Fast Mac
Left to its own devices, WaxWeb is a linear narrative about Jacob Maker, the
grandson of a beekeeper who brought Mesopotamian bees to the West. Maker’s
girlfriend Melissa is descended from his spiritualist wife who invented a form
of electric telescope for contacting the dead. Under Jacob, this becomes ‘bee
television’ through which the dead convey their concerns about weapons
research. At any time, however, the movie can be clicked on to branch off into a
dense web of interconnections. In do doing, it develops a kind of intelligences
comparable to the bee television, which is its subject. Today, the continuing
role of ‘smart’ bombs in modern war grants WaxWeb renewed relevance.
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Where Where There There Where
USA
(1997)
DIRECTOR Zoe Beloff and the Wooster Group INTERNET www.users.interport.net/~zoe/
WORLD SALES 153 Norfolk Street #5H, New York NY 10002, USA TECHNICAL DATA
Interactive CD-ROM Mac
Gertrude Stein's play Doctor Faustus Lights the Lights provides the
text for this evocative CD-ROM. Designed for New York's Wooster theatre group,
it provides a QuickTimeVR panorama for viewers to pan across, and to construct a
journey through small movies. It depicts the transition from 19th industrial
architecture to 20th century digital space. This transition occurs with an
argument about whether reality is a game: Wittgenstein’s theory of meaning as
a product of rules versus Turing’s belief in science as a mirror to an outside
reality. Complementing this philosophical dispute is an occasional detour into
feminine sexuality. See latest web work at http://turbulence.org/Works/illusions/
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The Selfish Universe
USA
(1999)
DIRECTOR Scott Becker INTERNET homepage.interaccess.com/~artscb/scb.html
WORLD SALES P.O.B. 578956, CHICAGO IL 60657-8956 USA TECHNICAL DATA Interactive
CD-ROM Mac
You begin in a lounge room, surrounded by books, answering machines, running
shoes, photographs¾ a typical range of ‘stuff’
that might be found in any home. An inquisitive mouse will find among these
things doorways into other worlds. They open into a series of morality plays
about the rampant greed in contemporary society. These vignettes are remarkable
for their pithy reflections on American capitalism and deft use of sound
effects. The Selfish Universe hints at the future of soap-box oratory in
a virtual medium.
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William Forsythe: Improvisation technologies
Germany
(1999)
PERFORMANCE William Forsythe, Christine Burkle, Noah Gelber, Thomas McManus,
Astrid Sommer, Christian Ziegler DECODING Nik Haffner DESIGN Christian Ziegler
PROGRAMMING Volker Kuchelmeister VIDEO EDITING Yvonne Mohre WORLD SALES ZKM
Institut für Bildmedien, Lorenzstrasse 19, 76135 Karlsruhe, Germany TECHNICAL
DATA Interactive CD-ROM Mac/PC
The leading choreographer William Forsythe reveals the sanity of his method
in this comprehensive dance interactive. With great detail, Forsythe outlines
the variety of moves that constitutes his oeuvre. CD-ROM presents itself as the
ideal medium for dance pedagogy. Control over the various instructions allows
study through repetition. Use of white pen over video highlights the structures
that are implicit in Forsythe’s method. This instruction is complemented by
video sequences of final dances by Forsythe and fellow performers. Innovative,
yet simple, this CD-ROM is a rare opportunity for virtual audience with a master
of contemporary dance. It is also of more than passing interest to those
interested in the potential of the medium as ‘add-on’ to existing arts.
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