These are some texts by Kevin Murray. I ask you respect the copyright on these articles and encourage you to contact me with any responses.

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South

• The south-south way
• Getting to know the Latin neighbours
• The wheel turns: New opportunities for post-colonial artists through the South Project South African Perspective
• Flightless south
• Magicians of the South
• Zulu words for white person

Craft

• The forest or the bush? Sources of enchantment in contemporary Australian jewellery
• Design Through Making
• Beyond Fortress Ceramica, a knights tale
• Australian designs on EuropeS
• Painterliness in contemporary glass
• Silver World: Jewellery of Marian Hosking
• Make the Common Precious
• The fundamentalist urge in contemporary ceramics
• The Plinth in the Age of Digital Reproduction
• Who stole 'craft'?
• Call Me Balanda: The Quest for a new Vernacular in Contemporary Craft
• Alice Springs Beanie Festival
• The Air that we Breathe
• And the courier came into the shop…
• Back to Nowhere
• The cabinet of Helmut Lueckenhausen
• Imagine an International Craft
• William Morris surfs the superstore
• Essays on Blanche Tilden & Damon Moon
• Review of Abstracting Craft
• BYO Pillowcase: Zen and Craft
• Danes go to heaven
• What's to be done with Russian craft?
• Byline: Craft & Text: A series of seminars 26th February & 1st May
• Keynote lecture: Peripheral Visions conference
• Writer in residence: Deer Isle, Maine, USA (14-28 August)
• Parliament’s secret stone
• Glass Angels and Data Insects: International Symposium on Electronic Art
• Write well, craft badly
• Microsoft and the metal resistance
• Nunismatica beckons
• In case of millennium, break glass
• The New Stone Age
• All aboard for the diaspora
• 21st Century Ceramics
• Church of the sacred art
• Centrepiece for a peripheral nation
• New Stone Age
• The crowning glory of modern jewellery
• The importance of sang-froid
• Of bread and clay
• Frêre Jacques, dormez-vous?
• Hallmarks, barcodes and ticks: Cultural Studies Conference
• There is no craft in the Pierre Bar
• There is craft in Pierre's laboratory
• On the other hand
• Till death us do part: A structurationist approach to jewellery
• How clay speaks for Neville Assad
• Please consider `Please Consider'
• You be the chorus: Rites of passage in a virtual art world

New Media

• Remembrance + the moving image
• Interview with Kevin Murray By Geert Lovink
• Unstuffed: The review of AFCs
• Three Mile Creek: Alyssa Rothwell
• Fancy life as a cockroach?
• Mouse, where is thy sting?: Burning the Interface
• The world of art on CD-ROM
• CD-ROM demystified
• McLuhan meets his doom
• 30 Words for the City CD-ROM: John Collette
• Push button Art Gallery
• Contemporary Marksism at the checkout: The secret history of barcodes

Visual Arts

• Mirror to the lips: Holography of Paula Dawson
• Review of Peter Bourke
• Caring for an old world
• Signs of Strife
• Stephen Bush goes punctual, he goes…
• Paradise re-wired: Act Three by Tony Trembath
• The Price is Right: Fiona Hall
• Louise Forthun: Tolarno Galleries
• The Error of My Ways: Edward Colless
• Three child proofs
• Lyndal Jones at sea
• Adelaide Biennial
• THE (B)RACKET (CREEP)
• The Institute of Light: Luminaries
• The case against doors
• Judgment of Paris: Recent French Though in an Australian Context
• Pinocchio's afterlife: Lucino Crispino: Drawings
• Eight doors for Edwin Tanner: Edwin Tanner Retrospective

Narrative

• Elena Govor 'My Dark Brother'
• Narrative Partitioning: The ins and outs of identity construction: Rethinking Psychology: Volume 1 - Conceptual Foundations
• with D. Epston and M. White, A proposal for re-authoring therapy
• The construction of identity in the narratives of romance and comedy
• Finding literary paths: The work of popular life constructors
• Life as Fiction